GRAMMY award winner, two-time Emmy nominee, and cofounder of GRAMMY award-winning Carolina Chocolate Drops—Dom Flemons has been branded the moniker “The American Songster” since his repertoire of music covers over 100 years of early American popular music. Flemons is an American old-time music, Piedmont blues, and neotraditional country multi-instrumentalist, singer, and songwriter. An expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones, Flemons is a true modern Songster, engaging audiences from the green Carolinas to the ruddy Southwest with personalized interpretations of folk, blues, early jazz and rock, country, and original material.
“Rev. Sekou delivers the spiritual performance we need now.”—Paste Magazine
Noted activist, theologian, author, documentary filmmaker, and musician, Reverend Osagyefo Sekou was born in St. Louis, Missouri and raised in the rural Arkansas Delta. Rev. Sekou’s music is a unique combination of Arkansas Delta Blues, Memphis Soul 1970s funk, and Gospel. His single from his first album, “We Comin”—was named the new anthem for the modern Civil Rights movement by the St. Louis Post-Dispatch. In May 2017 he released In Times Like These, produced by the six-time Grammy-nominated North Mississippi Allstars. His latest release from 2019, When We Fight, We Win—Live from Memphis, features new music as well as songs from the first two albums.
Featuring two of the most vivid voices in “modern-Delta” (Rolling Stone) blues—Corey Harris and Cedric Watson—team up for this special show. True Blues chronicles the extraordinary living culture of the blues in an evening of music and conversation and vividly brings to life this crucial wellspring of American music.
Guitarist, vocalist, songwriter, bandleader, and MacArthur fellow Corey Harris has carved out his own in blues. He has performed, recorded, and toured with many of the top names in music such as BB King, Taj Mahal, Buddy Guy, R.L.Burnside, Dave Matthews Band, Tracy Chapman, Wilco, among others, and was a featured artist and narrator of the Martin Scorcese 2003 film, Feel Like Going Home, which traced the evolution of blues from West Africa to the southern U.S. Harris shares the stage with one of the brightest young talents to emerge in Cajun, Creole and Zydeco (Louisiana French) music over the last decade, Cedric Watson—a four-time Grammy-nominated fiddler, singer, accordionist, and songwriter with seemingly unlimited potential.
The Haden Triplets —Petra, Tanya, and Rachel—are three sisters “in love with the art of singing,” describes NPR Music, with a “traditional tone and effortless voices that only siblings can produce.” The daughters of world renowned bassist Charlie Haden, the Triplets share a common love for American country and traditional songs. Their self-titled 2014 album was produced by Ry Cooder (Jack White’s Third Man Records), and they’ve performed as the Fates on Anais Mitchell’s Hadestown. They have also performed or recorded with The Foo Fighters, Todd Rundgren, Beck, and Weezer. On their own, Petra is a member of Bill Frisell’s band, and can be heard on her a cappella album Petra Haden Sings: The Who Sell Out, as well as Megan Mullally’s band, Nancy And Beth. Tanya is a multidisciplinary artist, and Rachel has performed with The Rentals and will have new music out with her band That Dog. The Triplets’ new album will be out in 2020.
From funk-laced beats and bass-heavy sousaphone blasts to the gritty warmth of singer J’Wan Boudreaux’s voice, New Orleans brass band-meets-Mardi Gras Indian outfit Cha Wa radiates the energy of the Crescent City’s street culture.
Enchanted by the music and traditions of the Mardi Gras Indians, Cha Wa’s Grammy-nominated album Spyboy (a nod to frontman J’Wan Boudreaux’s role in the Golden Eagles) is a modern mix of fiery, toe-tapping sounds and highlights the musicians’ personal ties to the street music of their hometown. “We wanted to take the roots of what we love about New Orleans brass band music and Mardi Gras Indian music and then voice it in our own way,” says the group’s drummer and founder, Joe Gelini.
“Fusing delta and hill country with elements of jam-band rock, he and his drummer packed an incredible punch, and never let the momentum die down.”—Nashville Scene
Born and raised in Mississippi Hill Country, Cedric Burnside—grandson of legendary R.L. Burnside and son of drummer Calbin Jackson—has been playing music all his life. This six-time winner of the prestigious Blues Music Award’s Drummer of the Year (2010–17) is widely regarded as one of the best drummers in the world and has begun to make a name for himself as a traditional blues guitarist as well.
Touring the world on his own, Burnside’s approach to the Blues has a rumbling style and is a hypnotic musical form of chugging rhythms, stinging guitar licks, snap neck drum licks, and singing that is filled with sharp changes and raw, cutting rhythms. His latest album, Grammy-nominated Benton County Relic, brings the blues alive for a new generation of fans weaned on the likes of White Stripes and the Black Keys.
This event has been cancelled. Our Box Office will be calling to process refunds. If you have any questions or concerns, please contact the UC San Diego Box Office at 858-534-8497 or email email@example.com.
“I think she’s endless. I don’t see any boundaries. Talent like hers is so rare, and I don’t think it stops.”—Allison Kraus
An exceptionally gifted mandolin player as well as a rapidly emerging singer-songwriter, Sierra Hull has taken the bluegrass and country world by storm. Her positively stellar career started early—from a Grand Ole Opry debut at the age of 10, to a Rounder Records signing and debut album Secrets at the age of 13, to performing at the White House at age 20.
Now a seasoned touring musician nearing her mid-20s, she has delivered her most inspired, accomplished, and mature recorded work to date—Weighted Mind. Produced by legendary bluegrass musician Bela Fleck, Weighted Mind is nothing like what you’ve heard before—it’s singular and emphatic, harmonious and dissonant. It is the realization of promise, and the affirmation of individuality. It is born of difficulty and indecision, yet it rings with ease, decisiveness, and beauty.
“A star of New York’s new-music scene.”—Los Angeles Times
The morning after the 2016 presidential election, singer-songwriter Gabriel Kahane took a two-week train trip across the United States with no phone or internet, embracing 8,980 miles of monkish Amtrak existence. The result is this hymn to the analog intimacy of American rail culture as antidote to the fragmentation and efficiency of modern life. Alone at the piano, Kahane draws from dining-car conversations he had with dozens of strangers—cowboys, postmasters, religious luddites, software engineers—to sing of his own upended assumptions about the body politic as revealed through his unplugged railroad exile.
“Sergio Mendoza is one of the great innovators of the Arizona music scene.”—Guardian
Led by multi-instrumentalist and bandleader Sergio Mendoza (Calexico), Orkesta Mendoza fashion borderless sounds that span the Americas, embracing mambo and cumbia with the same vigor as psychedelic pop, twang rock, and analog electronics.
Originally formed as a tribute to “King of Mambo” Pérez Prado, Orkesta Mendoza plays music that explores a myriad of directions, rhythms, and moods, delivering big-band orchestrations mixed with lo-fi electronica, vocals en Español, and moving instrumentals. Epic and soulful, they truly capture the positive spirit of the Southwest.
Featuring Petra Haden, Thomas Morgan, and Rudy Royston
Hailed as “the most innovative and influential guitarist of the past 25 years” (Wall Street Journal), Bill Frisell has seen collaborations with the likes of Elvis Costello, Bono, Paul Simon, and the Los Angeles Philharmonic over the course of his 35-year career. His Grammy-nominated album When You Wish Upon a Star features his arrangements and interpretations of music for film and television. The album is more than an homage to a set of iconic scores; Frisell draws upon the sentimentality of music heard on screen and how it shapes and informs our emotional relationships to what we see. The guitarist will be joined by bassist Thomas Morgan, drummer Rudy Royston, and singer Petra Haden in reimagining time-honored gems like “When You Wish Upon a Star” and “Somewhere Over the Rainbow,” as well as music from television favorites, including The Dick Van Dyke Show and The Honeymooners.