Black Belt Eagle Scout

Conversation between UC San Diego Prof. Julie Burelle (Performance Studies/Theater & Dance) and Katherine Paul of Black Belt Eagle Scout, followed by a solo-performance.

“If you can imagine all of the best things that the Pacific Northwest has brought us—Mount Eerie, Grunge, Sleater-Kinney, The Girls Rock Camp, and lush mountain ranges—reimagined and told through the perspective of an Indigenous Swinomish/Iñupiaq woman; if you can imagine the magic that would bring to your life then you can imagine Black Belt Eagle Scout.”—She Shreds Magazine

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’tmade alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Kneebody

In their almost two-decade history, the Grammy-nominated band Kneebody has created a genre
and style all its own. Their sound is explosive rock energy and high-level nuanced chamber
ensemble playing set within the frames of highly wrought compositions that are balanced with
adventurous no-holds-barred improvising.

Kneebody is keyboardist Adam Benjamin, trumpeter Shane Endsley, saxophonist Ben Wendel and drummer/bassist Nate Wood. The band has no leader or rather, each member is the leader; they’ve developed their own musical language, inventing a unique cueing system that allows
them each to change the tempo, key, style, and more in an instant.
The group met in their late teens while at The Eastman School of Music and Cal Arts, became
fast friends, and converged together as Kneebody amid the vibrant and eclectic music scene of
Los Angeles in 2001. Since then, each band member has amassed an impressive list of credits
and accomplishments over the years all while the band has continued to thrive and grow in
reputation, solidifying a fan base around the world.

In 2005, Kneebody released their debut self-titled album Kneebody on Dave Douglas’ Greenleaf
Music Label. Low Electrical Worker followed in 2007 on the Colortone Label. A collection of
13 original songs, Low Electrical Worker was hailed by saxophonist Joshua Redman as one of
his “favorite albums of 2007.”

In the spring of 2009, Kneebody and vocalist Theo Bleckmann released 12 Songs of Charles Ives
on the Winter & Winter label and received a GRAMMY nomination in the “classical crossover”
category. 2013 saw the release of The Line for Concord Records. In 2015, Kneebody’s
groundbreaking collaboration with electronic musician Daedelus on Kneedelus was released on
Flying Lotus’ imprint Brainfeeder records to praise from critics and audiences alike. In 2017,
Motéma Music released Kneebody’s Anti-Hero. 2019 brought back-to-back releases from
Kneebody on Edition Records. In the Spring, they released By Fire, an EP featuring an eclectic
selection of covers from John Legend to Soundgarden. Followed by the Fall release of Chapters,
the group’s first full-length album as a quartet, mixing deep grooves and deft melodies with a
wide range of guests including Becca Stevens, Gretchen Parlato, Michael Mayo, Gerald Clayton
and Josh Dion.

Phil Cook | Appalachia Borealis

“Phil Cook is a lightning bolt. He is a teacher and captor of music. He carries it within him at all times. No one has taught me more about music in my life than him. He is one of the great performers of our age … as time passes more and more people will find that out. I’m excited every time someone gets to discover Phil’s genius—a thing I’ve had the good fortune of knowing all my life.”—Justin Vernon, Bon Iver

For Phil Cook, it all started with piano. A prolific songwriter, multi-instrumentalist, solo artist, and in-demand musician whose collaborations have run the gamut of genre — as a founding member of beloved band Megafaun to work with The Blind Boys of Alabama, Bon Iver, Kanye West, and Hiss Golden Messenger, to name a few—Cook has always been a musician’s musician. A sweet and affable presence whose musical dexterity elevates every project he touches, Cook’s musical output and true sound has been hard to pin down.

Nubya Garcia

Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist,
composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden
Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear
broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to
convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all
disciplines while ignoring arbitrary boxes that don’t fit.

Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on
which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand,
nuanced record that feels airy and celestial without sacrificing the groove. It’s a deeply personal
offering about her trek to falling back in love with musical composition over the past four years.

Harlem Gospel Travelers

The Harlem Gospel Travelers are not from Harlem. They came to Harlem, however, from far-flung corners of the five boroughs of New York City, and it was in Harlem, that legendary center of African-American culture, that they found their voices. Since its conception, they have focused on creating music that uplifts, inspires, and spreads the message of love.

Tarta Relena

Started in 2016 as an acapella project between Helena Ros and Marta Torrella, Tarta Relena’s electronic-accented folk reimagines the traditional music of the Mediterranean as a growing form unbound by precedent. At ArtPower, the Catalan folk duo will perform from their newly released album,  És pregunta.

AJ Lee & Blue Summit

AJ Lee & Blue Summit are an award-winning energetic, charming, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz, California, the group met as teenagers, picking and jamming together as kids at local music festivals and jams until one day, they decided they would be a band. They bring their latest album, City of Glass, to ArtPower. 

Isaiah Collier: The World Is On Fire

Chicago/Brooklyn-based multi-instrumentalist, composer, arranger, curator, activist, motivational speaker, and educator Isaiah Collier is a musical virtuoso in the truest sense of the phrase. Most known for his work as a saxophonist, Collier’s sound and approach is drawn from the influences of other master saxophonists such as John Coltrane, Roscoe Mitchell, Wayner Shorter, Ari Brown, and Gene Ammons. 

Sara Schoenbeck and Wayne Horvitz

The Sara Schoenbeck and Wayne Horvitz duo navigate through original tunes and improvisatory soundscapes. With feet firmly planted in a genre-less zone, electronics and an ever-expanding textural palate serve to deepen the feel of a shared melodic language.

Sara Schoenbeck and Wayne Horvitz first met as improvising musicians at the 4 day, “company” style “Time Flies” festival (Vancouver B.C.) in 2000. In 2004 Horvitz formed the Gravitas Quartet with Schoenbeck, Ron Miles (Trumpet) and Peggy Lee (Cello). This quartet recorded two CDs and performed throughout Europe and North America. In 2015 Horvitz fused his ensemble Sweeter Than the Day with the Gravitas Quartet to create a septet performing compositions based on the poems of Richard Hugo. “Some Places Are Forever Afternoon” resulted in a CD, touring throughout the US, and an episode of NPR’s “Jazz Night in America”, hosted by Christian McBride. In addition, Schoenbeck and Horvitz had performed in numerous improvised collectives, special projects, and the occasional duo concert.

In 2018, the duo Schoenbeck/Horvitz was created, with subsequent concerts in NY, Vancouver, Seattle, Portland, Ann Arbor, Sacramento, Northampton, Bellingham, Edmonton, Los Angeles, San Francisco, San Diego, Chicago, and Detroit. Their first CD, entitled Cell Walk, was released on the Songlines label in May 2020. Since the pandemic the duo has presented concerts in the United States, Canada, and Europe.

Sessa

Vinyl DJ set by B+

Sessa is a long-time fixture of both the American and Brazilian music scenes. Initially known for collaborating with NY guitar legend Yonatan Gat and co-founding the São Paulo psych-funk combo Garotas Suecas, Sessa released his debut album, Grandeza, in 2019. In their review of the album, the New Yorker described Sessa as “a songwriter cut from Veloso’s mold and blessed with a flair for the intimate, the enigmatic, and the licentious.”

Sessa’s songs are sung in Portuguese, with visceral, sensual lyrics, and melodic flourishes not unlike those of Tom Jobim. However, the music gets a deliberate minimalist treatment rarely found in contemporary Brazilian music, more reminiscent of the bareness of Leonard Cohen.

Sessa’s concerts are already stuff of legend, as he takes the stage accompanied solely by a female backing choir and Afro-Brazilian percussion. While the songs often deal with subjects such as the sensual body and spiritual transcendence, the music points to new, more subtle directions for Brazilian pop music – a deep, minimalist, almost insinuated use of the endlessly rich textures and rhythms that define the songwriting history of Brazil, which Sessa joins as one of its most promising new voices.