Camila Fernández

Opener: Mariachi Continental San Diego

Camila Fernández has established herself as an unstoppable force in the Mexican regional genre. Her undeniable talent and passion for music have led her to become the lone female voice of the Fernández Dynasty. Born on November 30, 1997, in Guadalajara, Jalisco, Mexico, Camila’s love for music was evident from her earliest days. At the tender age of four, her powerful voice and stage presence impressed everyone on every stage she graced, whether it was in musical theater, school choirs, religious pageants, or performances. Her destiny was clear: music was her path.

Her musical influences encompass icons like her grandfather Vicente Fernández, her father Alejandro Fernández, Juan Gabriel, Rocío Dúrcal, José Alfredo Jiménez, and Eugenia de León, who have left an indelible mark on her style and passion for music.

Her new album, “Camila Fernández,” includes 20 tracks, with 10 original songs and 10 covers, all connected by the theme of love in its various forms. Camila penned 9 of the original songs, demonstrating her creative ambition and deep commitment to her music.This creative ambition is reflected in the musical development of her new album, which evokes the nostalgia of Mexican mariachi and the sonic innovation of the 21st century. Camila is an artist with a promising future, capable of reinventing the past through her ranchera passion conveyed in every verse.

Thanks to her unique qualities, Camila Fernández is undeniably the best representative of the new Mexican regional music: a revolutionary woman who blends the best of multiple worlds to create an authentic and distinct style. Her music is a gift for Mexican music enthusiasts and an inspiration for future generations.


Mariachi Continental de San Diego is San Diego’s premiere Mariachi.

Edna Vazquez of Pink Martini

Edna Vazquez is fearless singer, songwriter and guitarist whose powerful voice and spell-binding musical talent transcend the boundaries of language to engage and uplift her audience. Edna’s passion for music and performance originated in her homeland of Jalisco, Mexico, and has been nurtured into a bi-cultural melting pot of folk, rock, R&B, and Mexican heritage, deeply rooted in universal human emotion. She has traveled far and wide spreading her message of light, love, and cultural healing.

DakhaBrakha

DakhaBrakha is a music quartet from Kyiv, Ukraine. Their “ethno chaos” sound spans years of performances prior to Russia’s 2022 invasion, but war is in everything now. They masterfully blend Ukrainian traditional music with influences from around the world, resulting in an unexpected new music.

Traditional music has seen a resurgence in Ukraine over the past decades, after being suppressed during Soviet rule. DakhaBrakha uses Ukrainian polyphony as its foundation, interweaving complex rhythmic and melodic structures from India, Arabia, Africa, and Australia. Their music is textural, layered sounds with distinctive percussive heartbeats, thumping bass lines, distorted electric guitars and influences of jazz, spoken word, rap and even punk. DakhaBrakha calls this tapestry of influences “ethno chaos.” And this chaos is a strength, allowing them to draw in strands of music that connect Ukraine with the world.

They are troubadours, activists and educators. Though their name means Give/Take in the old language, DakhaBrakha is new Ukraine, both pre-colonial and post-Soviet, working within a global network of art and music. They aim to help audiences see Ukraine not as a monolith, but as a cosmopolitan culture that takes in other cultures, and gives in return.
DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art “DAKH” by the avant-garde theatre director Vladyslav Troitskyi. Theatre work has left its mark on the band performances – their shows are always staged with a strong visual element. Projected behind them are a mix of animations from different Ukrainian artists and photos of life in today’s Ukraine. Some are celebratory, bright and bold. Some are dark, others curious, a reflection of the many facets of Ukrainian culture.

In March 2011 DakhaBrakha was discovered by Australian Womadelaide and began their ascent in the international music scene. They have since played hundreds of concerts and performances at major international festivals including Big Ears Festival, Bonnaroo Music & Arts Festival, WOMAD, Roskilde Festival and on the main stage at the Glastonbury Festival. In March 2020, DakhaBrakha won the Shevchenko National Prize for Musical Arts – the biggest award in Ukraine in the sphere of contemporary art – and confirmed its place in the culture once again. In 2023 DakhaBrakha won globalFEST’s Artist Award in the USA and became Chevaliers of the Order of Arts in France.

The band is currently in the process of recording their first album since 2020 in Kyiv (Ukraine), which combines material created before and during Russia’s full-scale invasion of Ukraine.

ganavya

“No matter the language or the content, Ganavya’s voice is a thick ephemera, like smoke as dark as ink, just coming off the fire.”
New York Times

Described by Wall Street Journal as “among modern music’s most compelling vocalists,” NYC-born, Tamil Nadu-raised, ganavya moves as a sonic shapeshifter. A vocalist, multi-instrumentalist, and unabashed wanderer, she wields a voice that’s equal parts lullaby and lightning bolt, drawing from a deep well of spiritual blueprints passed through generations. Raised on pilgrimage trails with soundtracks of harikathā, she turned her childhood of storytelling into a life of fluid creation. 

Her latest album, Nilam follows last year’s Daughter Of A Temple, which was recognized as one of 2024’s Top 10 Best Global Albums by The Guardian, who praised ganavya’s ability to harness “the power of communal harmony to touch something deeper than song.” Co-produced by Nils Frahm at LEITER Studio in Berlin’s Funkhaus complex, the new album by “the singer whose work,” according to the New York Times, “feels like prayer…with listeners hanging onto her every word,” is out on vinyl and all digital platforms.

Nilam owes its existence to chance, after a few unplanned days between her sold-out 2024 debut in Berlin and her show at London’s Union Chapel made time in the studio unexpectedly possible. Listening to the remarkable collection, it seems implausible now that its inception might ever have been in doubt. So astonishing is its stillness, so profound its communication of sentiment, it feels as if it was always meant to be. ganavya’s vocals, deeply personal and resonant, convey both stillness and movement, offering a quiet, tender expression of gratitude and connection. With songs that have evolved over years of live performance, ‘Nilam’ is a reflection on the rhythms of life and the importance of finding a place to stand.

Las Cafeteras | Hasta La Muerte

“Hasta La Muerte” is an enthralling new production celebrating Life and Death, in the spirit of the Indigenous/Mexican practice, known as Day of the Dead.

From the imagination of Las Cafeteras, “Hasta La Muerte” is a 2 act, multi-dimensional theatrical and musical performance that explores the stages of grief and loss through the celebration of life and death. The production revisits Mexican folklore to tell new stories, engage old archetypes, challenge patriarchy, uplift the role of curanderas and re-examine our imagination about “death” and the “after-life.”

Hasta La Muerte showcases mesmerizing choreography, poetry, combined with a score of original and traditional songs, to showcase a night of transcendent color, sound and a moving invitation to travel through time, rhythm and memory.

Hasta La Muerte is a work that embraces the power of storytelling, as a form of processing grief, and sharing love with those in the beyond. Love, not sadness, allows us to celebrate and remember those that have gone and remember that “death is not the end, it is just the beginning.”

Las Cafeteras have taken the music scene by storm with their infectious live performances and have crossed many genres and borders along the way. Their electric sound & energy has taken them around the world playing shows from Bonnaroo to the Hollywood Bowl, WOMAD New Zealand to Montreal Jazz, & beyond!

Born and raised East of the Los Angeles River, Las Cafeteras are remixing roots music as modern day troubadours.  They are a sonic explosion of Afro-Mexican rhythms, electronic beats and powerful rhymes that document stories of a community seeking to ‘build a world where many world fit.’

From Afro-Mexican to Americana, from Soul to Son Jarocho, from Roots to Rock and Hip Hop, Las Cafeteras take folk music to the future.

Las Cafeteras honor the past by using electrifying traditional instrumentation like the 8 string Jarana, 4 string Requinto, Quijada (donkey jawbone) and Tarima (a wooden platform). Las Cafeteras sing in 5 distinct languages, English, Spanish, Spanglish, Love and Justice … and they believe everyone understands at least one of those languages.

They’ve performed in the good company of Mexican icons Café Tacuba, Natalia LaFourcade, Lila Downs, Gypsy Kings, Colombian superstar Juanes, Hip Hop artist Common, Los Angeles legends Ozomatli and Los Lobos, performing with the Los Angeles Philharmonic Orchestra, and many more.

Campus Partner

Bia Ferreira

*Students get in free at the door—first come, first served! Want to guarantee your spot? Grab a $10 student ticket in advance.

Bia Ferreira is a Brazilian singer, composer, and artivist whose “Música de Mulher Preta” (Black Woman Music) confronts racism, homophobia, and champions feminism and love through powerful, socially conscious songs.

As a teenager, Bia left home with just her guitar and began traveling across Brazil, performing wherever she could—on streets, in cafés, and in any venue that welcomed her. Her music carried messages of love while boldly addressing feminism, racism, and homophobia, reaching anyone willing to listen.

Her breakthrough came during a Sofar Sounds session, where she performed “Cota Não É Esmola.” The song went viral, amassing over 13 million views on YouTube. Since 2017, Bia has performed throughout Brazil and across Europe. A standout moment came in October 2022 at WOMEX in Lisbon, where her showcase was hailed as one of the festival’s best. It marked a turning point, allowing her message—sung entirely in Portuguese—to resonate with global audiences.

LA LOM

Opener: El Marchante

The Los Angeles League of Musicians, LA LOM, are an instrumental trio formed in Los Angeles in 2021. They blend the sounds of Cumbia Sonidera, 60’s soul ballads and classic romantic boleros that emanate from radios, backyard parties and dance clubs of Los Angeles with the twang of Peruvian Chicha and Bakersfield Country.

Kokoroko

Opener: RIVA

Fusing the sounds of jazz and Afrobeat, Kokoroko has developed a burgeoning reputation for their energetic, soul-shaking sound. Led by trumpeter Shelila Maurice-Grey and drummer Onome Edgeworth, the London-based septet was named “ones to watch” by the Guardian in 2019 after their song “Abusey Junction” racked up hundreds of millions of streams across Spotify, YouTube, and other streaming platforms. Since their inception almost six years ago, Kokoroko has played in clubs, theaters, and festivals around the world, including a set at Coachella in 2024. Their most recent release, a 15-minute, four-song extended play entitled “Get the Message,” released last November, explores the need for community, connection, and relationships.

Schedule
6:30 pm: Deejay Dandelion
7:30 pm: RIVA
8:30 pm: Kokoroko

⁠(Canceled) Celebrate Ameri’KANA

Featuring Rubén Albarrán from Cafe Tacvba, Making Movies, and La Lulu

Founded by the Latin Grammy-nominated band Making Movies, Celebrate AMERI’KANA is a traveling festival celebrating the diverse colors of American music. Looking to redefine “Americana,” the festival highlights the crossroads of languages and rhythms that shape the musical identity of the Americas.

This year, the festival welcomes Rubén Albarrán, the legendary frontman of Café Tacvba and one of Latin America’s most influential and innovative artists. For over three decades, Rubén has shaped the sound of Latin rock, blending traditional Mexican music with alternative rock, electronic, and experimental styles—pushing artistic boundaries at every turn. With a voice Billboard calls “a multifaceted wonder,” Rubén has captivated audiences around the world, whether delivering a piercing ballad, an explosive punk chorus, or an electrifying DJ set.

Beyond his iconic work with Café Tacvba, Rubén has collaborated with artists like Calle 13, Natalia Lafourcade, Julieta Venegas, and Gustavo Santaolalla. Under his DJ moniker Pinche Pinchadiscos, he brings that same boundary-defying spirit to the dance floor, spinning global beats with the energy and theatricality that have defined his career. From massive festivals like Rock al Parque and Ruido Fest to sold-out club nights in Berlin and Bogotá, Rubén’s performances are celebrations of rhythm, resistance, and cultural pride.

Making Movies is a band based in the United States with a sound Rolling Stone describes as “an eclectic blend of rumbero percussions, delicate organs, and grungy fuzz rock.” Led by Panamanian singer/guitarist Enrique Chi, Mexican-American percussionist and keyboardist Juan-Carlos Chaurand, and drummer Duncan Burnett, the band rose to acclaim through a decade of relentless touring in the US and Latin America.

The band collaborated with Rubén Blades on the single “No Te Calles,” which NPR included in their Best of 2019 list and became the opening track of his album Paraiso Road Gang, nominated for Latin Grammy Album of the Year. They’ve also toured alongside Los Lobos, Ozomatli, Hurray For the Riff Raff, Thievery Corporation, and more.

La Lulu, a Latin Grammy-winning violinist, vocalist, and dancer whose explosive stage presence channels the soul of cumbia through a New York lens. Born in Cali, Colombia and raised in NYC, La Lulu fuses salsa, spanglish rhymes, and unapologetic energy into music that is both deeply rooted and fiercely contemporary.

Tarta Relena

Started in 2016 as an acapella project between Helena Ros and Marta Torrella, Tarta Relena’s electronic-accented folk reimagines the traditional music of the Mediterranean as a growing form unbound by precedent. At ArtPower, the Catalan folk duo will perform from their newly released album,  És pregunta.