“To hear Aynur’s voice is to hear the transformation of all the layers of human joy and suffering into one sound. It reaches so deep into our soul, tears into our hearts, and then we are for one moment, joined as one. It is unforgettable.”—Yo-Yo Ma
Over the years Aynur has become one of the most well known musicians from Turkey and a representative for the Kurdish people. Her vocal style and her albums are praised not just in Turkish media but also in international media. Her albums are best sellers among Kurdish folk albums. Based on traditional Kurdish folk songs—many of them at least 300 years old—Aynur’s music is about the life and suffering of Kurdish people, in particular, the women. Musically she tries to blend Kurdish with Western music, interpreting her traditional repertoire in a modern way. She has collaborated with famous musicians and bands like world-renowned cellist Yo-Yo Ma and Silk Road Ensemble, Kayhan Kalhor, Javier Limon, Kinan Azmeh, Mercan Dede, Salman Gambarov, Cemil Qocgiri, Morgenland All Star Band, Nerderland Blazers Ensemble, and Sertab Erener.
“Rev. Sekou delivers the spiritual performance we need now.”—Paste Magazine
Noted activist, theologian, author, documentary filmmaker, and musician, Reverend Osagyefo Sekou was born in St. Louis, Missouri and raised in the rural Arkansas Delta. Rev. Sekou’s music is a unique combination of Arkansas Delta Blues, Memphis Soul 1970s funk, and Gospel. His single from his first album, “We Comin”—was named the new anthem for the modern Civil Rights movement by the St. Louis Post-Dispatch. In May 2017 he released In Times Like These, produced by the six-time Grammy-nominated North Mississippi Allstars. His latest release from 2019, When We Fight, We Win—Live from Memphis, features new music as well as songs from the first two albums.
Hailing from Correze in south-western France, San Salvador is a six-voice and percussion collective that combines Occitan poetry with hypnotic vocal harmonies propelled by surging percussion. Their compositions use the Occitan language—a Romance language spoken in southern France, Italy’s Occitan Valleys, and in parts of Spain and Monaco—as a rhythmic instrument, combining poetry with hypnotic vocal harmonies cascading over shifting patterns of compelling percussion to create their own universe.
Rooted in the region’s deep a cappella folk traditions, these progressive troubadours turn language and vocals into rhythmic instruments with the power of (tribal) trance and techno, and even “math rock” and punk. The result is one big cluster of joyful energy that’ll make the whole room jump and swing.
The Haden Triplets —Petra, Tanya, and Rachel—are three sisters “in love with the art of singing,” describes NPR Music, with a “traditional tone and effortless voices that only siblings can produce.” The daughters of world renowned bassist Charlie Haden, the Triplets share a common love for American country and traditional songs. Their self-titled 2014 album was produced by Ry Cooder (Jack White’s Third Man Records), and they’ve performed as the Fates on Anais Mitchell’s Hadestown. They have also performed or recorded with The Foo Fighters, Todd Rundgren, Beck, and Weezer. On their own, Petra is a member of Bill Frisell’s band, and can be heard on her a cappella album Petra Haden Sings: The Who Sell Out, as well as Megan Mullally’s band, Nancy And Beth. Tanya is a multidisciplinary artist, and Rachel has performed with The Rentals and will have new music out with her band That Dog. The Triplets’ new album will be out in 2020.
From funk-laced beats and bass-heavy sousaphone blasts to the gritty warmth of singer J’Wan Boudreaux’s voice, New Orleans brass band-meets-Mardi Gras Indian outfit Cha Wa radiates the energy of the Crescent City’s street culture.
Enchanted by the music and traditions of the Mardi Gras Indians, Cha Wa’s Grammy-nominated album Spyboy (a nod to frontman J’Wan Boudreaux’s role in the Golden Eagles) is a modern mix of fiery, toe-tapping sounds and highlights the musicians’ personal ties to the street music of their hometown. “We wanted to take the roots of what we love about New Orleans brass band music and Mardi Gras Indian music and then voice it in our own way,” says the group’s drummer and founder, Joe Gelini.
Black String creates a unique musical language that embraces traditional Korean music, American jazz, chanting, and improvisation. The group features Yoon Jeong Heo (geomungo—Korean traditional zither), Jean Oh (electric guitar), Aram Lee (daegeum, sogeum—Korean bamboo flutes), and Min Wang Hwang (ajaeng—Korean traditional zither, janggu—Korean drum), and together they captivate audiences’ senses with amplified bursts of the geomungo and Korean bamboo flutes, the fierce quake of Korean traditional percussion, and unpredictable jazz guitar melodies.
Founded in 2011 as part of government-sponsored Korea-UK cultural exchange program titled “UK Connection,” Black String has performed at WOMEX, London Jazz Festival, Winter Jazzfest, and many more world-renowned festivals and venues. They are also the 2017 Korean Music Award winner for best jazz and crossover performance and the 2018 Songline Music Award winner in the Asia & Pacific category.
This program is supported in part by the Korean Foundation for International Cultural Exchange as part of Traveling Korean Arts Program, and Korean Cultural Center, Los Angeles. Black String’s tour is organized by SORI.
Dengue Fever are recognized for their trademark blend of 1960s Cambodian pop and psychedelic rock. The roots of the band began in the late 1990s with a six-month trek through Southeast Asia by keyboardist Ethan Holtzman. Returning to Los Angeles, Holtzman and his brother Zac bonded over their love of vintage Cambodian rock and in 2002 founded the band with saxophonist David Ralicke (Beck/Brazzaville); drummer Paul Dreux Smith; and bassist Senon Williams (Radar Brothers). Cambodian singing star Chhom Nimol joined when she realized the band shared a genuine passion for the music and culture of her homeland. Their music is a cross-pollination of Khmer rock, garage rock, psychedelic rock, and the British Invasion sound that has pushed the band to heights they could only dream of.
Dengue Fever’s music have appeared in films such as City of Ghosts and The Hangover 2 as well as television series True Blood, Weeds, and CSI: Las Vegas.
This presentation is in partnership with La Jolla Playhouse and their production of the play Cambodian Rock Band (showing Nov. 12 – Dec. 15, 2019), which features the music of Dengue Fever. The cast will perform selected numbers from the show as a curtain raiser.
This event has been cancelled. Our Box Office will be calling to process refunds. If you have any questions or concerns, please contact the UC San Diego Box Office at 858-534-8497 or email email@example.com.
“A new-breed marching band music that’s part Punjabi wedding, part New Orleans second line, and all New York.”—Boston Globe
Red Baraat Festival of Colors is an immersive celebration of the Hindu holiday of Holi through music, dance, and visuals. Red Baraat has taken the spirit of the festival to the next level: a year round show of communal revelry that brings together what NPR has called “the best party band in years,” a montage of classic Bollywood visuals, and a fiery dancer.
Traditionally, Holi is marked by public gatherings of families and strangers sharing songs, dance, and the exchange of “colors”— colorful dry powder or colored water playfully thrown among the crowds of revelers. It signifies the victory of good over evil, the arrival of spring, and for many, a festive day to meet others, play and laugh, forget and forgive, and repair ruptured relationships.
Red Baraat Festival of Colors debuted in 2012 at a sold out Le Poisson Rouge in New York City, and it has since expanded to over a dozen cities in the United States. Returning to its roots of just brass and drums and complete in colorfully painted white jumpsuits plus a dancer, Festival of Colors is a full- blown immersive experience as the band, the visuals, the dancer are like a mélange of colors, each bold on its own but commingling to form a stunning panorama.
“Sergio Mendoza is one of the great innovators of the Arizona music scene.”—Guardian
Led by multi-instrumentalist and bandleader Sergio Mendoza (Calexico), Orkesta Mendoza fashion borderless sounds that span the Americas, embracing mambo and cumbia with the same vigor as psychedelic pop, twang rock, and analog electronics.
Originally formed as a tribute to “King of Mambo” Pérez Prado, Orkesta Mendoza plays music that explores a myriad of directions, rhythms, and moods, delivering big-band orchestrations mixed with lo-fi electronica, vocals en Español, and moving instrumentals. Epic and soulful, they truly capture the positive spirit of the Southwest.
Featuring Petra Haden, Thomas Morgan, and Rudy Royston
Hailed as “the most innovative and influential guitarist of the past 25 years” (Wall Street Journal), Bill Frisell has seen collaborations with the likes of Elvis Costello, Bono, Paul Simon, and the Los Angeles Philharmonic over the course of his 35-year career. His Grammy-nominated album When You Wish Upon a Star features his arrangements and interpretations of music for film and television. The album is more than an homage to a set of iconic scores; Frisell draws upon the sentimentality of music heard on screen and how it shapes and informs our emotional relationships to what we see. The guitarist will be joined by bassist Thomas Morgan, drummer Rudy Royston, and singer Petra Haden in reimagining time-honored gems like “When You Wish Upon a Star” and “Somewhere Over the Rainbow,” as well as music from television favorites, including The Dick Van Dyke Show and The Honeymooners.