Born in New York City to Haitian emigrants and activists, Leyla McCalla finds inspiration from her past and present—her music vibrates with three centuries of history and influences from around the globe. McCalla possesses a stunning mastery of the cello, tenor banjo and guitar and, as a multilingual singer and songwriter, has risen to produce a distinctive sound that reflects the union of her roots and experience. In addition to her solo work, McCalla is a founding member of Our Native Daughters (with Rhiannon Giddens, Amythyst Kiah and Allison Russell) and alumna of Grammy award-winning Black string band The Carolina Chocolate Drops.
McCalla returns to ArtPower with acoustic fingerstyle guitarist and film composer Yasmin Williams. She has an unorthodox, modern style of guitar playing and utilizes various techniques including alternate tunings, percussive hits, and lap tapping in her music to great effect. Her “radiant sound and adventitious origins have made her a key figure in a diverse dawn for the solo guitar” (The New York Times). Williams’s music has been described as rich, harmonious, and “in a lot of ways, the joy and possibility she brings to the guitar reminds me more of Eddie Van Halen than any of the other fingerstyle guitarists to whom she’s compared” (NPR Music).
Celebrate Mardi Gras with Delfeayo Marsalis and the Uptown Jazz Orchestra as they stretch the boundaries of what is expected from big bands, offering up an extraordinary sense of joy and fun that could only come from New Orleans. The acclaimed trombonist, composer, and producer, Delfeayo Marsalis leads the vibrant Uptown Jazz Orchestra in a performance that crystalizes the stories, sounds, and rhythms of NOLA.
“BCUC bring punk-rock energy and hypnotic rhythms to social activism.”—New York Times
Music for the people, by the people, with the people.
Rebellious, spiritual, and exhilarating, BCUC’s live shows are transcendent rites of explosive sound. Following in the pulses of their ancestors, they awaken crowds to the power of a shared, fairer future. With their high-energy performances they have become one of South Africa’s most successful musical exports. Tapping into the pulses of their ancestors, they awaken crowds to the power of a shared, more just future.
“a brass-wielding force of nature”—Los Angeles Times
Celebrated jazz trumpeter and film composer Terence Blanchard pays homage to legendary saxophonist and composer Wayne Shorter, the inspiration that has influenced Blanchard’s music and storytelling. Featuring the acclaimed trumpeter with The E-Collective and the Turtle Island Quartet, they will present pieces written by Shorter as well as original compositions by Blanchard and members of his band—resulting in “a lush and dramatic soundscape that calls to mind Blanchard’s career as a successful film composer” (New Yorker).
“I’m proud to have a chance to visit some of the music that has shaped my musical identity,” says Blanchard. “Pairing Wayne Shorter’s music with original works from The E-Collective along with the sonic colors of The Turtle Island Quartet has been an amazing experience. Wayne has said before ‘Jazz means I Dare You,’ so why not dare to be creative and pay homage at the same time,” said Blanchard.
Lebanese indie stalwart Zeid Hamdan and celestially voiced Syrian singer Lynn Adib are Bedouin Burger, a rising duo from the Middle East. Their music marries traditional Arab sounds of magam, religious songs of ancient Syria, jazz, and slick pop hooks—all delivered with a sultry, insouciant flare. Performing as a trio, Bedouin Burger is accompanied by bassist Miles Jay.
The Haden Triplets —Petra, Tanya, and Rachel—are three sisters “in love with the art of singing,” describes NPR Music, with a “traditional tone and effortless voices that only siblings can produce.” The daughters of world renowned bassist Charlie Haden, the Triplets share a common love for American country and traditional songs. Their self-titled 2014 album was produced by Ry Cooder (Jack White’s Third Man Records), and they’ve performed as the Fates on Anais Mitchell’s Hadestown. They have also performed or recorded with The Foo Fighters, Todd Rundgren, Beck, and Weezer. On their own, Petra is a member of Bill Frisell’s band, and can be heard on her a cappella album Petra Haden Sings: The Who Sell Out, as well as Megan Mullally’s band, Nancy And Beth. Tanya is a multidisciplinary artist, and Rachel has performed with The Rentals and will have new music out with her band That Dog. The Triplets’ new album will be out in 2020.
From funk-laced beats and bass-heavy sousaphone blasts to the gritty warmth of singer J’Wan Boudreaux’s voice, New Orleans brass band-meets-Mardi Gras Indian outfit Cha Wa radiates the energy of the Crescent City’s street culture.
Enchanted by the music and traditions of the Mardi Gras Indians, Cha Wa’s Grammy-nominated album Spyboy (a nod to frontman J’Wan Boudreaux’s role in the Golden Eagles) is a modern mix of fiery, toe-tapping sounds and highlights the musicians’ personal ties to the street music of their hometown. “We wanted to take the roots of what we love about New Orleans brass band music and Mardi Gras Indian music and then voice it in our own way,” says the group’s drummer and founder, Joe Gelini.
Black String creates a unique musical language that embraces traditional Korean music, American jazz, chanting, and improvisation. The group features Yoon Jeong Heo (geomungo—Korean traditional zither), Jean Oh (electric guitar), Aram Lee (daegeum, sogeum—Korean bamboo flutes), and Min Wang Hwang (ajaeng—Korean traditional zither, janggu—Korean drum), and together they captivate audiences’ senses with amplified bursts of the geomungo and Korean bamboo flutes, the fierce quake of Korean traditional percussion, and unpredictable jazz guitar melodies.
Founded in 2011 as part of government-sponsored Korea-UK cultural exchange program titled “UK Connection,” Black String has performed at WOMEX, London Jazz Festival, Winter Jazzfest, and many more world-renowned festivals and venues. They are also the 2017 Korean Music Award winner for best jazz and crossover performance and the 2018 Songline Music Award winner in the Asia & Pacific category.
This program is supported in part by the Korean Foundation for International Cultural Exchange as part of Traveling Korean Arts Program, and Korean Cultural Center, Los Angeles. Black String’s tour is organized by SORI.
Dengue Fever are recognized for their trademark blend of 1960s Cambodian pop and psychedelic rock. The roots of the band began in the late 1990s with a six-month trek through Southeast Asia by keyboardist Ethan Holtzman. Returning to Los Angeles, Holtzman and his brother Zac bonded over their love of vintage Cambodian rock and in 2002 founded the band with saxophonist David Ralicke (Beck/Brazzaville); drummer Paul Dreux Smith; and bassist Senon Williams (Radar Brothers). Cambodian singing star Chhom Nimol joined when she realized the band shared a genuine passion for the music and culture of her homeland. Their music is a cross-pollination of Khmer rock, garage rock, psychedelic rock, and the British Invasion sound that has pushed the band to heights they could only dream of.
Dengue Fever’s music have appeared in films such as City of Ghosts and The Hangover 2 as well as television series True Blood, Weeds, and CSI: Las Vegas.
This presentation is in partnership with La Jolla Playhouse and their production of the play Cambodian Rock Band (showing Nov. 12 – Dec. 15, 2019), which features the music of Dengue Fever. The cast will perform selected numbers from the show as a curtain raiser.
This event has been cancelled. Our Box Office will be calling to process refunds. If you have any questions or concerns, please contact the UC San Diego Box Office at 858-534-8497 or email artpower@ucsd.edu.
“A new-breed marching band music that’s part Punjabi wedding, part New Orleans second line, and all New York.”—Boston Globe
Red Baraat Festival of Colors is an immersive celebration of the Hindu holiday of Holi through music, dance, and visuals. Red Baraat has taken the spirit of the festival to the next level: a year round show of communal revelry that brings together what NPR has called “the best party band in years,” a montage of classic Bollywood visuals, and a fiery dancer.
Traditionally, Holi is marked by public gatherings of families and strangers sharing songs, dance, and the exchange of “colors”— colorful dry powder or colored water playfully thrown among the crowds of revelers. It signifies the victory of good over evil, the arrival of spring, and for many, a festive day to meet others, play and laugh, forget and forgive, and repair ruptured relationships.
Red Baraat Festival of Colors debuted in 2012 at a sold out Le Poisson Rouge in New York City, and it has since expanded to over a dozen cities in the United States. Returning to its roots of just brass and drums and complete in colorfully painted white jumpsuits plus a dancer, Festival of Colors is a full- blown immersive experience as the band, the visuals, the dancer are like a mélange of colors, each bold on its own but commingling to form a stunning panorama.
